There are no heroes, no central characters. As soon as you start to recognize someone from an earlier scene, he gets killed. You almost never learn anyone's name. They are simply victims and victimizers, and their roles may switch at any time, without fanfare or celebration. It is even difficult at times to tell who is on what side. Also, the camerawork is stunning, recalling the fluid graceful movement of Tarkovsky and Kalatozishvili. Surreal, disorienting, and powerful stuff.
napisał(a) o The Red and the White
There are no heroes, no central characters. As soon as you start to recognize someone from an earlier scene, he gets killed. You almost never learn anyone's name. They are simply victims and victimizers, and their roles may switch at any time, without fanfare or celebration. It is even difficult at times to tell who is on what side. Also, the camerawork is stunning, recalling the fluid graceful movement of Tarkovsky and Kalatozishvili. Surreal, disorienting, and powerful stuff.